A New Improved Way To Play The Cello?

“Frances-Marie Uitti, an American cellist and composer now living in Amsterdam, has a different idea. Over the course of several decades, she’s become expert at playing with two bows at once – one in the normal position atop the strings and the other between the strings and the body of the cello – so that the number of string combinations available to her increases instantly.”

What’s Ailing (Successful) British Theatre

“We have a revivified RSC, a National prepared to take extraordinary and bold risks, a fitfully intelligent raft of musicals and a collection of new companies, including Kneehigh and the scintillating Punchdrunk, prepared to reinvent what they think theatre should be capable of with each new show. So, why is it that a trip to the theatre these days so often leaves the feeling of a meal half eaten, of being served an appetiser rather than a main course?”

British Dance Awaits A Messiah

Although no one will actually admit it, the British ballet establishment suffers from a Messiah complex. It longs for a Great Choreographer to step forth and take command, as Ashton and MacMillan did. It wants Keanu Reeves as Neo in The Matrix. It wants The One, and the classically trained Christopher Wheeldon looks like the current best bet.