2020’s Best Visual Art

Andrea Scott: “For months, looking at art became staring at screens, and a new three-letter acronym entered the lexicon: O.V.R., for “online viewing room.” If that sounds like an enticement to see artists envision new forms with digital means, downgrade your expectations to “slideshow.” Still, the art world has been luckier than other cultural sectors of New York City.” – The New Yorker

We Eat Ourselves To Change (?)

Leon Wieseltier: “Everything will be different: this is a ubiquitous sentiment. In all our upheavals — social and epidemiological — so much seems to be wrong and so much seems to be slipping away that one may be forgiven for enjoying a fantasy of total change. All these horrors, all these outrages, all these marches, and the world stays the same? So the first thing that needs to be said in the effort to keep our heads is that everything never changes.” – Liberties Journal

How The Millennial Generation Burned Out

According to Anne Petersen, the main difference between millennials and the rest of the precariat is that we once had such great expectations. Molded in the mythos of meritocracy, our generation was raised to believe that we could beat bad circumstances and secure personal stability — if we simply worked hard enough. This happy ending has not materialized for most of us, and there has been extensive emotional fallout. – Los Angeles Review of Books

Tomorrow Is Public Domain Day – Here Is Some Of The Art Of 1925 That’s Now Available

These works include books such as F. Scott Fitzgerald’s The Great Gatsby, Virginia Woolf’s Mrs. Dalloway, Ernest Hemingway’s In Our Time, and Franz Kafka’s The Trial (in the original German), silent films featuring Harold Lloyd and Buster Keaton, and music ranging from the jazz standard Sweet Georgia Brown to songs by Gertrude “Ma” Rainey, W.C. Handy, and Fats Waller. – Center for the Study of the Public Domain