Vancouver Olympics Embrace Anti-Olympic Art

Included in the Cultural Olympiad accompanying Vancouver’s hosting of the 2012 Olympic Games is a disturbing photo in which First Nations protesters decry what they see as the decimating of native lands for the Olympics. Olympic organizers see the photo’s inclusion as “proof that their event is artistically sound, not just a cheery diversion.”

Dallas PAC Boosts Funding Goal Just Because It Can

“The board of directors of the Dallas Center for the Performing Arts announced this week that the project is being expanded, triggering an increase in its fundraising goal from $275 million to $338 million.” The project’s CEO said that the decision to boost the goal came after the realization that the center would easily meet the lower goal, and could afford to aim higher.

Challenging The Bilbao Effect

“Since the New Labour landslide of 1997 – the same year that Frank Gehry’s Guggenheim museum opened in Bilbao, transforming that city’s reputation – it has become an accepted wisdom that ‘culture’, specifically ‘the arts’, can bring about tangible socio-economic benefits.” But is this really realistic?

Detroit Free Press Tries Life Without A Movie Critic

Longtime critics Terry Lawson took a buyout and the paper won’t replace him. “By our research, all of the other Top 20 newspapers in the United States have at least one major, well-known critic (yes, even the Arizona Republic). However, The Freep’s move clearly signals that there’s a changing tide in the amount of importance (and budget dollars) local newspapers allocate to coverage of the movie business.”

Task Force Recommends “Course Correction” For Smithsonian Business Unit

The troubled for-profit side of the Smithsonian has has a rocky relationship with the museum side. Acting Secretary Cristian Samper “said the restructuring and renaming, as well as putting the museums’ mission before profit, were more than cosmetic changes. He emphasized that the new structures would make the museums ‘shareholders’ and would lead to stronger oversight and empowerment of the museum directors.”