Syria’s Artists and Performers, Unsure of Political Climate, Stifle Themselves

President Bashar al-Assad’s regime is considered somewhat less harsh than that of his father, under whom “there were clear red lines of intolerance” toward artistic as well as political expression. “Now those lines are no longer clear, increasing, not diminishing, the sense of uneasiness and tendency toward self-censorship.”

What Gives Slurs Their Power to Offend?

“We may at times convince ourselves, as Dr. Laura may have, that there are inoffensive ways to use slurs. But a closer look at the matter shows us that those ways are very rare. … [But how] How do words become prohibited? What’s the relationship between prohibition and a word’s power to offend? And why is it sometimes appropriate to flout such prohibitions?”

Artist Ai Weiwei Publicly Calls for Western Support of Human Rights in China

“Now all the nations of the developed world are trying to do business with China. Of course, it’s an arrangement in which both sides profit. But on the Chinese side it means more unfairness to labourers and damage to the environment. This kind of business is done through the sacrifice of basic values and human dignity. … China looks efficient only because it can sacrifice most people’s rights.”

The Brits Figure Out That Chekhov Is Funny

“Since his death in 1904, the Russian has certainly ascended to the pantheon of great writers, but he would be dismayed to see that his plays are still widely thought of as forbidding chronicles of human misery. Yet now, 150 years after his birth, a group of comedians, including Steve Coogan and Johnny Vegas, are appearing in productions of his short comedies – to prove Chekhov can be funny after all.”

Poet Festival Was “Vulgar Nonsense”?

What could be less controversial than a distinguished gathering of poets reading on London’s South Bank? Not much, you might think. Extraordinary then – in the week of the 2010 International Festival of Poetry – to discover that when the first poetry festival was launched, in 1967, Donald Davie wrote an article in the Guardian headed: “Go home poets” and dismissed the festival as “vulgar nonsense”.