V&A Museum Offers Special LGBTQ Tours

“Taking place on the last Saturday of each month, the tours are free to all and aim to uncover the queer histories of the objects in the museum’s collection.” For instance, the Flemish sculptor Giambologna’s marble of Samson slaying a Philistine (both unclothed) with the jawbone of an ass — an artwork that ended up in the possession of King James I’s boyfriend.

‘Zombie Movies Are The New Westerns’ — 50 Years Since The Living Dead Invaded Our Screens

“In these fifty years, let’s face it, we have been completely overrun. Zombies are everywhere. They are in our movies, tv shows, books, and comic books, plus, out here in the real world where the Center for Disease Control has a comprehensive Zombie preparedness and education plan and there are Zombie-walks, Zombie-conventions, and, anyway, didn’t you see them this Halloween?” Tim Sommers considers the nature of Zombies’ appeal.

‘Make More Money. Do More Good.’ — Years Of Austerity Have Put UK Theatres In An Impossible Position

“The problem is that, at the same time as having to boost income [because of subsidy cuts], theatres have faced increased demands to justify their funding. Organisations have had to diversify their audiences, artists and their personnel, to prove their social utility and inclusivity with access schemes and outreach programmes … Taken together, however, the two things add up to one hell of a paradox, which risks pulling theatres apart at the seams. Being dependent on both earned income and public subsidy, theatres are having to pull in two directions at once. Make more money. Do more good.”

Are Our Theatres Too Intimidating To First-Timers?

What if you have never been to the theatre before? Could the entrance also be seen as a barrier that feels as if it is there to keep you out just as much to welcome you in? Once you get inside, how do you know what to do and where to go? It can make theatregoing feel as if it’s an exclusive club to which you don’t have the right membership, and one that is likely to fill you with rising panic, adding to the sense that you don’t belong there.

Actors Call For UK Production Companies To Get Tax Breaks If They Employ More Women, Minorities And Disabled

Actors Call For UK Production Companies To Get Tax Breaks If They Employ More Women, Minorities And Disabled
“The actors Lenny Henry, Thandie Newton and Chiwetel Ejiofor were among the signatories to a letter to The Guardian that said similar moves had been successful before and should be tried again. … Also putting their names to the letter were the Paralympic athlete and television presenter Ade Adepitan, the playwright Lucy Prebble and Jodie Whittaker, the first female actor to play Doctor Who,” as well as playwright and Young Vic artistic director Kwame Kwei-Armah.

How Thomas Campbell Ended Up In San Francisco

“There are several large questions there. The Met is obviously an enormous institution—it’s the supertanker of the museum world—and change is complex there, since it’s an administration-heavy institution. I’m looking forward to working in an institution where I can have more direct contact with many of the key players and the program, where the touch on the tiller is faster and more responsive than it is in a big, bureaucratic institution like the Met.”

Is There An Executive Exodus At This North Texas Theater?

Joanie Schultz will have been on the job for only two years when she leaves the WaterTower Theatre in Dallas County. Her unexpected resignation comes just a few months after the departure of Nicholas Even, the second managing director to resign from WaterTower during Schultz’s term. Also, one major donor family had its name removed from WaterTower’s stage because they were offended by Schultz’s production of Robert Askins’s extremely irreverent play Hand to God.

When We Say That ‘Art Is A Right, Not A Privilege’, What Exactly Do We Mean?

The statement can mean one of two things: “access to art is a moral right” or “access to art ought to be a legal right; that free access to museums and other institutions housing cultural artifacts should be legally guaranteed to citizens.” NYU art professor Nickolas Calabrese argues that, while the first would seem to be true on its face, the second is far more problematic than most people who favor it seem to realize.