KISSIN OFF

Evgeny Kissin is acclaimed as one of the best modern pianists. Yet one critic notes an alarming trend in his playing: “At the louder and more extroverted end of the dynamic spectrum, though, Kissin’s taste for thunderous banging is growing ever more pronounced. Without gradations or subtlety, he will suddenly begin to pound away – sometimes in midphrase, sometimes at sectional transitions that are then marked all too starkly. The result is a maddening duality, a kind of sonic whiplash that keeps listeners shuttling uncomfortably back and forth between dynamic extremes.” – San Francisco Chronicle

WHAT DOES IT MEAN?

“What one heard was a combination of generalized intensity, interpretive ardor and an exceptional technique. Nevertheless, the search for that elusive quality called poetry continues in Kissin’s career. You came away admiring a succession of problems variously solved, rather than gleaning any notable insights into the works performed.” – San Francisco Examiner

WHAT A DRAG:

A male percussionist/composer with the New Zealand Symphony Orchestra has a thing for dressing up in drag. When he appeared onstage for a concert dressed as a women, orchestra management “read him the riot act.” But the act turned into a gig writing a piece for the orchestra for percussionist-in-drag. – Sydney Morning Herald

SAUSAGE MAKER TO SAVE BOLSHOI?

“Last month, in a shocking putsch on the eve of the fall season, the Kremlin announced it had fired the Bolshoi’s director, the legendary ballet dancer Vladimir Vasilyev, and replaced him with a team of business-oriented managers. The coup was planned with such secrecy that Russian journalists compared it with a KGB operation.” But can the company be saved? – The Globe and Mail (Toronto)

HEAVY LIFTING

It’s not so easy being a male dancer, writes one of Canada’s most famous male dancers. “Working for four hours at a stretch, without a break, trying to get it perfect, is fine if you are the one being lifted. For the lifter, it is not so fine. It is gruelling. Perfection, in this instance, can go hand in hand with abuse of another human being. It is so very easy for the man in classical ballet to feel resentful, depressed, discouraged, even vindictive, as he fights to be a worthy partner, dancing behind the ballerina, trying to display her at her best.” – Ottawa Citizen