FIGHT OVER MUSEUM

Daniel Terra amassed a large art collection and found a storefront on Chicago’s Michigan Avenue to show it. The museum has assets worth more than $423 million, including more than 700 works by such artists as Winslow Homer, Georgia O’Keeffe and Edward Hopper, but is not well-attended. Four years after Terra’s death, “internal documents obtained by The Associated Press show that a nasty battle over the Terra Museum of American Art has left board members at odds with one another as they decide whether its collection will stay in Chicago.” – Nando Times

BETTER UNDERSTANDING THROUGH BAD ART

Jim Shaw’s collection of cheap thrift store paintings are dreadful. Therein lies the fascination with them. “The paintings are awful, indefensible, crapulous. They are inept, stomach-turning and banal. These people can’t draw, can’t paint; these people should never be left alone with a paintbrush. Each has a story to tell, but I’m not sure I want to hear it.” – The Guardian

SCOTTISH PARLIAMENT UNDER SIEGE

The new Scottish Parliament building, currently under construction, is now “mired in controversy and openly mocked as ‘Donald’s Dome’. From the original £50 million budget set by Scotland’s first minister, Donald Dewar, estimated costs have spiralled to a minimum of £195 million (plus a further £14 million for landscaping and roadworks). As always, it is the architect who catches the blame.” (But he died.) – The Times (UK)

DUCKING THE COST

London theatre dresses an actor up as duck rather than use the real thing. Why? “Thespian ducks cost £250 a day, while the union minimum for an actor is £292.84 for a week’s work in the West End. If you’re thinking of putting your daughter on the stage, train her to be a duck, or at least a duck handler.” – The Telegraph (UK)

LET’S PUT ON A SHOW

Big theatre producers get together to talk about the realities of producing musical theatre. “Comments on Saturday from representatives of the biggest L.A.-based commercial theater producers – Disney, Warner Bros. and Universal – were considered by many in the audience to be so discouraging that Indonesia might look even more inviting.” – Los Angeles Times

A MATTER OF MANNERS

New York Magazine film critic John Simon goes for director Atom Egoyan’s jugular at a press conference about Egoyan’s project filming all of the Beckett plays. “I have seen at least 12 productions of this play,” he began, “all more touching than yours. Was this deliberate or just incompetence on your part?” – Salon