Owner Of Pulse Nightclub Wants To Put Up Museum To Massacre There. Survivors Are Not Having It

Says one who was wounded in the 2016 shooting, “They’re talking about a theme-park environment where you buy memorabilia.” Of the club’s owner, who runs a foundation (which pays her a six-figure salary) to build and operate the proposed museum, the mother of one victim said, “These [young survivors] can’t afford their co-pays, they’re not getting PTSD therapy, and meanwhile you’re profiting and you want an admission-charging, souvenir-selling, tour-bus-visiting hate museum.” – Orlando Sentinel

Manchester’s Leading Theatre Builds A Pop-Up Stage To Take Plays To City’s Neighborhoods

“The Royal Exchange is one of Manchester’s best known theatres, the venue resembling a lunar landing craft located inside The Great Hall on St Ann’s Square. … The Den is a lightweight, 180-seat portable auditorium designed to be built and dismantled … by members of each host community who will become its ushers, its box office, technical team and audience.” – BBC

How The Royal Ballet Trains Pigeons To Play The Title Roles In A Frederick Ashton Ballet

The eponymous avians in Ashton’s The Two Pigeons are meant to be living symbols of the relationship between the two human leads, called the Young Man and the Young Girl. Reporter Jennifer Lu talks with Emma Hills, who trains the pigeons who have been doing the show for a decade, about how she teaches them and what mischief they occasionally get up to. – Pointe Magazine

World’s Biggest Movie Industry Is Finally Embracing Sci-Fi

“[Science fiction] isn’t a new genre in Indian cinema, but it has nothing like the profile it has in the West. … While Hollywood has a long tradition of making more naturalistic films about space travel – from 2001: A Space Odyssey, to Gravity and First Man – it’s only now, with the enormous strides in India’s own space exploration, that such films are beginning to resonate with the public.” – The Guardian

Even New Operas Are Still Treating Women As Sacrificial Lambs. When The Hell Will It Stop?

Joshua Kosman: “Here’s my request for today to creators of contemporary opera: How would it be if we had a new work that did not turn on a female character sacrificing herself to redeem a man? … The Bay Area’s operatic stages this month have been weirdly rife with women eager to throw themselves overboard for a man’s sake, and honestly my patience is starting to wear a little thin.” – San Francisco Chronicle