How Far Are Institutions Obligated To Protect The Art In Their Possession, And What Can The Public Reasonably Insist Those Institutions Do?

Reflecting on the contretemps over the Life of Washington murals at a San Francisco high school as well as the decision by one small Northern California museum to sell much of its art and another to end an exhibition program, Charles Desmarais considers “what I think of as a kind of cultural duty of care — with the avoidance of negligence or harm to works of art maintained by an organization for the public good.” – San Francisco Chronicle

Los Angeles Opera To Investigate Sexual Misconduct Allegations Against Plácido Domingo, Who Has Been Its General Director For 21 Years

The company, which will “retain outside counsel” to look into the accusations, said in a statement that Domingo “has been a dynamic creative force in the life of LA Opera and the artistic culture of Los Angeles for more than three decades. Nevertheless, we are committed to doing everything we can to foster a professional and collaborative environment where all our employees and artists feel equally comfortable, valued and respected.” – Los Angeles Times

Early Newspapers Were Essentially Letters To The Editor, Messy And Boistrous

“Printed news started out as, essentially, collections of letters to the editor. Newspapers did not routinely employ full-time reporters until the 19th century. At that point, the older meaning of ‘journalist’ – someone who keeps a journal – disappeared, and the word began to refer solely to news-gatherers. Similarly, interviews and in-person reporting did not become common until the 19th century.” – Aeon

Frisco Frescoes: What to Do About Controversial WPA Murals at George Washington High School

My own views on this contretemps are conflicted. By all accounts I’ve seen by art professionals, this is a powerful work, intended by the Russian-American artist to be seen as a critique of the historic cruelty suffered by African-Americans and Native Americans. In cases like this, I give myself what I call the Holocaust Test. – Lee Rosenbaum

Philadelphia Orchestra Cancels Placido Domingo Appearance After Harassment Claims

“The Philadelphia Orchestra Association has withdrawn its invitation to Plácido Domingo to appear as part of its Opening Night concert on September 18, 2019. We are committed to providing a safe, supportive, respectful, and appropriate environment for the Orchestra and staff, for collaborating artists and composers, and for our audiences and communities.” – Philadelphia Inquirer