Raja Feather Kelly: How A Downtown Pop-Queer Experimentalist Became Off-Broadway’s Go-To Choreographer

“One reason, an obvious one, had to do with a close friend. As soon as the playwright Branden Jacobs-Jenkins started to pass his name along to people in the theater world, … he found himself filling a niche Off-Broadway. ‘I was working on new plays that wanted to have a physical life, but didn’t know how,’ he said.” – The New York Times

Drag, Inc.: When A Subculture Becomes An Industry

“In part, what’s surprising is how long that process took: After all, the impulse to devour cool for profit is just capitalism. Like camp, which began as a private joy, an in-joke for outsiders, drag has become an open buffet for mass consumption. … RuPaul now regularly appears on talk shows, and the most successful queens from [Drag Race] have their own makeup lines, TV shows, and fashion campaigns while shilling everything from Starbucks to vodka to McDonald’s breakfast sandwiches.” – New York Magazine

Peter Max’s Wife, Embroiled In Battle Over His Care, Art, And Money, Dead In Apparent Suicide

“The death of [Mary] Max, 52, in the home she shared with Mr. Max, 81, comes in the midst of continued infighting in recent years regarding her husband’s legacy. In May, The New York Times wrote about how business associates and his son, Adam, had taken control of Mr. Max’s studio, with the intention of increasing production using assistant artists even though Mr. Max himself had not painted seriously in four years.” – The New York Times

Designing For A More Circular World

“Today’s linear economy is a straight line, no matter how efficient you make it. If you make a car with less material, if you make a car using less energy, you’re still using stuff. You’re still consuming materials. Whereas within a circular model, from the outset you design in a way whereby that product comes back into the system: the components are recovered, the materials are recovered.” – dezeen