Why Is There Still A Stigma About Males Dancing?

Data compiled by Doug Risner, a professor of dance at Wayne State University in Detroit, shows that only 32 percent of male dancers have fathers who support their desire to dance. Typically, American dads only want their sons to be athletic on the sports field. Adding music and ballet technique—or tap dancing, contemporary movement, ballroom or jazz steps—to physicality somehow makes that pursuit unforgivably girlish. – Dance Magazine

Remembering Dr. John

Mac made every recording session, every gig, and every musical encounter better just by being there. He knew what to add. He knew what to subtract. He brought the best out of everyone in the room and did it with such casual grace and style that it seemed effortless. That same sense of ease pervaded his wardrobe.  – Paris Review

Why Medieval History(!) Has Become A Modern Battleground

Last week The New York Times reported in detail on YouTube’s recommendation algorithm, which is “capable of drawing users deeper into the platform by figuring out ‘adjacent relationships’ between videos that a human would never identify.” The Crusades are a plum example of a topic that turns into a thread, leading the viewer through a labyrinth towards potential radicalization. You can search “Knights Templar” on YouTube and reach conspiracy theories (“Ten Secret Societies Ruling The World”) within three intuitive clicks.  – The New Republic

Worried About DeepFakes? How About CheapFakes?

Journalists, politicians, and others worry that the technological sophistication of artificial intelligence–generated deepfakes makes them dangerous to democracy because it renders evidence meaningless. But what panic over this deepfake phenomenon misses is that audiovisual content doesn’t have to be generated through artificial intelligence to be dangerous to society. “Cheapfakes” rely on free software that allows manipulation through easy conventional editing techniques like speeding, slowing, and cutting. – Slate

Where Did The Story Of Aladdin And The Magic Lamp Come From? Not ‘The 1,001 Nights’, It Turns Out

In fact, writes Michael Dirda, the tale came from one Antoine Galland, an early-18th-century Orientalist who was the first Westerner to translate the actual Thousand and One Nights from the Arabic. He was working from a manuscript that had only 35 stories in it — and, when his translations became hits, he (not unlike Sheherazad herself) had to come up with more material to meet reader demand. – The Washington Post