‘Butoh Vérité’

“While the influence of butoh is unmistakable in” choreographer Ledoh’s work, “the label doesn’t quite stick. Borrowing a definition from film, he calls what he does ‘butoh vérité’. He wants to pierce the genre’s trappings – glacial speed, bodily distortions, and white body paint – and focus the attention on the reality underlying the external phenomena.”

Which Movies Are Successful? The Sequels We Know (Doesn’t Matter If They’re Any Good)

“When it comes to summer blockbusters, more important than actual content is audience familiarity. Summer theatergoers don’t care what the New York Times (or SlashFilm, or us) has to say about the latest Jerry Bruckheimer or Michael Bay film: These tent-pole sequels are summer staples specifically because so much money has been poured into them to generate mass audience appeal.”

The Complicated Question Of Selling Spanish Language Books In America

“It seems like the definition of an untapped market: Spanish speakers make up about 12 percent of the U.S. population, but only 4 percent of books sold in the country are in Spanish. It’s a surprising shortage that has prompted vendors and customers alike to take new steps to prove that there is a viable market for Spanish-language books.”

The New Whitney Museum – A Tale Of Missed Opportunities

“Piano’s Whitney needed to live up not just to his own immense portfolio but also to the array of 21st-century architecture clustered around the High Line, and to the museum’s current home by Marcel Breuer, one of New York’s most distinctive architectural achievements. Instead, he has capped the High Line with a pale, metal-clad tower, interlocked with a stack of horizontal blocks that step back in the manner of a clunky cruise ship.”