Are We Living In An Era When No Idea Prevails?

“No particular era now dominates. We live in a post-era era without forms of its own powerful enough to brand the times. The zeitgeist of 2012 is that we have a lot of zeit but not much geist. I can’t believe I just wrote that last sentence, but it’s true; there is something psychically sparse about the present era, and artists of all stripes are responding with fresh strategies.”

Has Broadway Ruined Us For New Musicals?

“The American musical had its origins as popular entertainment, coming from vaudeville and operetta, and while it has always been primarily a for-profit business, it was an essential part of the cultural landscape. Over the past few decades, however, the market reach of musicals has been reduced to a very specific niche market while the artistic ambitions of the artists that create it have continued to grow and evolve.” But without a Broadway-style band, forget it.

The British Arts Rest In His (Generous, And Ageing) Hands

“The name Jerwood is ubiquitous in the arts, adorning playhouses, dance studios, rehearsal spaces, student bursaries, prizes ranging from drawing to dance, exhibitions and now an art gallery. Jerwood is the great enabler, the crucial partner without which the Royal Court would have closed. And Jerwood is controlled absolutely by a single, 84-year-old retired lawyer, driving it on a path of cultural philanthropy.”

Wearing The Costumes And Eating The Food – But Is This History At All Real?

Re-enactors of the War of 1812 create a history for Canada. But “the reality is murkier. Canadians weren’t yet Canadians. The term was still applied mostly to francophones, and when Upper Canada was created in 1791 – a mere eight years after the U.S. War of Independence ended – it was designed more as a bulwark against the American expansionists than a statement of New World identity.”