Sales Downturn And Scandals – Art Market Enters 2017 On An Uncertain Note

“In 2016, the art market received what it had purportedly wished for – some of the speculative froth came off the top of the market, easing fears that a bubble would burst and hurt the industry. But it also received much of what it probably did not forecast or desire: a 30% drop in overall market volume, a series of high-profile disputes, court actions and authenticity issues that resulted in substantial payouts, and a fall-off in attendance at some art fairs that read to some as cultural cooling-off at the bling end of the contemporary art business.”

Diversifying: Eighteen Curators To Watch In 2017

“Over the past year, a number of African Americans have accepted prestigious appointments at important art and cultural institutions across the country. These curators and cultural leaders to watch are in positions to drive exhibition programming, acquisitions, innovations in what is considered art, influence hiring, fellowship and internship opportunities, and how institutions grow their audiences.”

How Art Auctioneers Get Buyers Riled Up Enough To Pay Tens Of Millions For One Painting

“With such astonishing sums of money being tossed around, one might assume that art buyers are making cool, levelheaded decisions, especially when they’re in a room full of people they know and are trying to impress. This is often not the case. To the contrary, scientists see mounting evidence of ‘auction psychology’.” Here’s how it works.

Could Wood – Glued-Together Layered Slabs Of It – Become The Next High-Tech Building Material?

“Sandwiching layers of wood and adhesive,yields cross-laminated timber (CLT), a kind of super-plywood that comes in immense slabs as long as a bowling lane and as thick as 12 inches. A similar process yields steel-hard beams called glulam. The principle is almost touchingly simple: ‘Gluing a stack of cards together produces something stronger than building a house of cards.'” And you can build skyscrapers with it.