‘The Opening Of The Blacksonian Is *The* Museum Event Of The Year’

“Yes, ‘the Blacksonian,’ because no one is going say that whole name” – the Smithsonian’s National Museum of African-American History and Culture – “and no one’s going to say ‘NMAAHC,’ either, because no one wants to hear ‘God bless you’ every time somebody does.” Wesley Morris, after throwing his bits of shade, describes the experience, both ridiculous and sublime, of his first visit.”

The Staging Of A ‘Foto-Novela’ In L.A.’s Rapidly Gentrifying Arts District

As Los Angeles demolishes the 6th Street Bridge, artist Harry Gamboa Jr. saves its memories and relevance through a series of staged photos. His fotonovela practice “has the effect of connecting art world professionals with neophytes, master’s candidates from the graduate fine arts program at CalArts with first-year students from Northridge — most of them Chicano, like Gamboa.”

Tapestry Of Sabra And Shatila Massacres Could Hang Next To Picasso’s ‘Guernica’

“Ramzi Dalloul, a Palestinian businessman and collector of Arab art, has commissioned the Royal Tapestry Factory in Madrid to transform Iraqi artist Dia al-Azzawi’s drawing of the atrocity into a 21-sq.-m wall hanging. … On a visit to the 300-year-old factory when work on the tapestry started, the Spanish culture minister asked Dalloul if the finished piece could be displayed alongside Picasso’s Guernica” at the Reina Sofia Museum.

We Know We’re In A New Gilded Age, But We’re Also In A New Age Of Gilt

“Gilt – gold’s application to metal, whether powder, leaf or plate – is the assertive surface of self-importance. We seem to be having a Midas moment. With the election of the commercial Sun King Donald J. Trump to the presidency, and the pedestrian aristocracy of gold sneakers walking the street … there is again the gleam of gilt in the public eye.”

How Did Red And Green Become The Colors Of Christmas? You Can Thank Coke For That

In 1931 “Coca-Cola hired an artist to create a Santa Claus. They had done this before, but this particular artist created a Santa Claus that we associate with the Santa Claus today in many ways: He was fat and jolly — whereas before he was often thin and elf-like — and he had red robes. … And so the fact that all these things came together — this friendly, fat Santa in these bright red robes, which, I don’t think is a coincidence, match the color of the Coke logo — this really took hold in American culture.”