Reconstructing The Past In A Different Sort Of Primitive Art

“Picasso never had to explain that his mistresses weren’t actually cubic, but [Viktor] Deak has taken grief over as little as a flexed knee.” Such is life when you’re a high-profile paleoartist. “If you find yourself face to face in a museum with Homo habilis, Australopithecus afarensis or Paranthropus boisei, you may be looking at his work. Many of the images of hominids in the new Hall of Human Origins at the American Museum of Natural History are his….”

Vandals Hit Rome’s Ara Pacis Museum

“Vandals have splashed red and green paint onto the back wall of the controversial modern museum, the Ara Pacis, in Rome. They also left a toilet outside and several rolls of toilet paper. The museum, designed by the American architect Richard Meier, was opened in 2006…. Many criticised the building, in Rome’s historic centre, as too modern, too large, and out of character.”

Why Aren’t Museums Controversial Any More?

“Over the past decade, small controversies occasionally unsettled the museum world, but they went away quickly, and few gained enough traction to become national issues.What happened? Was it a cultural or historic change? Self-censorship or a more subtle shift in what museums were exhibiting? Did audiences grow up, or were they just inured to radical art and provocative historical revision?”

Boston’s MFA Wins Lawsuit For Painting

“The Museum of Fine Arts has won a lawsuit it filed to establish its legal title to a valuable 1913 painting by Oskar Kokoschka. The judgment in US District Court for the District of Massachusetts seemingly settles a dispute that began in 2007, when attorneys for Claudia Seger-Thomschitz, an Austrian woman, demanded the return of the work from the museum.”

One Artist’s Road To Venice Biennale: Has To Sell His Work To Get There

The curator for Canada’s representative “realized she would have less than a year to raise more than $600,000, a figure that soon swelled by more than a third thanks to a weakening Canadian dollar, leaving [artist Mark] Lewis to sell artworks in order to help fund the Venice project. To make matters worse, the global recession was sapping many donors of their philanthropic impulses.”

Defending The Museum – Why Should We Give Things Back?

“Cultural institutions have been on the defensive for decades, poorly firefighting accusations of didacticism, elitism, colonisation and looting, with ill-thought through mumbling and evasion. Now more than ever, museums need to stand up for themselves. For instance, several North American museums were recently rocked by claims from countries including Italy that objects in their collections were acquired illicitly.”