Cleveland Back In The Recording Game

The Cleveland Orchestra will make its first commercial recording under music director Franz Welser-Möst this week, taking advantage of a new agreement with the musicians’ union which allows live concert recordings to be used for commercial releases without the usual upfront payments to the musicians. The recording of Beethoven’s 9th symphony will be Cleveland’s first new CD in seven years.

Letting a 5,000-Year-Old (Restored) Ruin Look Its Age

“The last and largest of [ancient Egypt’s] cult centers — the only major one still standing in clearly recognizable form — was erected for King Khasekhemwy, who ruled in the second dynasty around 2780 B.C… Now, in an ambitious effort to preserve this ruin, archaeologists, engineers and teams of artisans and laborers are shoring up the walls and gates of Shunet el-Zebib, ravaged by time and the elements and in danger of imminent collapse.”

How Do You “Own” A Performance?

“Time was when the ‘authorship’ of a work of art was usually (if not always) a clear-cut matter. Nobody wonders who wrote ‘David Copperfield’ or painted ‘Guernica.’ Even in the performing arts, it’s long been taken for granted that the mere act of performance creates no enforceable property right on the part of the performer… Here’s the problem: Where do you draw the line separating creative performance from actual authorship?”

Remembering Toscanini

It’s been 50 years since the death of legendary conductor Arturo Toscanini, and tributes are springing up all across the music world. “Commemorations will take place throughout 2007, mostly organized by countries and musical institutions that were touched by Toscanini’s work as an artist and by his political stance as a staunch opponent of fascism and Nazism.”

Will Movies Stunt Your Kids’ Brains?

“Because entertainment aimed at children occupies a bigger share of the marketplace, the level of quality tends to be higher than it was, say, back in the heyday of Walt Disney live-action comedies. I would not wish it otherwise, but I also worry that the dominance of the family film has had a limiting, constraining effect on the imaginations of children.”