Aggregating The National Theatre Audience To Make Money

“Seven major regional theaters around the country — from Seattle, Wash., to Providence, R.I. — have put video monitors in their lobbies to carry information and advertising. Movie theaters and some nonprofit theaters have long had TV monitors in their lobbies, but the new effort is part of a move to develop a national video network for advertisers.”

Taking A Look At Tony Kushner

“Kushner is a world-class mensch. He’s also one of the most ambitious contemporary playwrights around. But great theater isn’t synonymous with great causes, and none of his other plays has come close to eliciting the resounding critical acclaim of ‘Angels.’ What’s more, there are obvious costs to his public availability, exploited by journalists in need of a sound bite as much as by dogged documentary filmmakers. Simply put, if you’re constantly holding forth on what you do as a writer, how can you protect the imaginative insularity needed to do it?”

A Samuel Beckett Birthday (So What!)

“After the myriad tomes assuring us of his preeminence among postwar writers, it’s not exactly clear how the strangely muttering voices filling the voids of his blasted landscapes speak to us today. What was once so radical — tramps on an apocalyptic heath, characters popping out of trash cans, an isolated mouth foaming verbal ooze — has become instantly recognizable, even familiar.”

Silicon Valley Looks To Stabilize Its Theaters

“The San Jose City Council voted 10-0 Tuesday to approve a $1 million loan to American Musical Theatre of San Jose. Two weeks earlier, on Oct. 17, the City Council voted by the same margin to bail out the more seriously financially troubled San Jose Repertory Theatre with a $2 million line of credit. The timing is not coincidental. The aid extended to the city’s two largest theater companies is part of the city’s new $4 million Arts Stabilization Fund.”

Avast! Me Show Is Takin’ On Water!

The Pirate Queen, a $15 million musical from the creators of Les Miserables and Miss Saigon, is listing badly in Chicago, the first leg of its voyage to Broadway. Local critics fired cannonballs at it – ‘ill-ruddered’ (Boom!), ‘drearily predictable’ (Boom!) – and Broadway insiders who trekked west to see it say it needs a massive overhaul. But is the creative team up to the job?”