A Presidential Debate As Theatre

“Her advantage is that [Hillary Clinton] knows her text inside out. She’s like one of those actors — Maggie Smith is reported to be one — who are always studying backstage, underlining and dog-earing their script. [Barack Obama] is the far better Method actor of the two. Which is to say there’s less of a visible gap between the role he’s playing and the self he has freely exposed since he became a marquee draw.”

From The Battlefield To The Stage

Author George Packer, who wrote a well-regarded non-fiction book on the American invasion of Iraq, has now written a play based on the tragic stories of ordinary Iraqis who agreed to serve as translators for the Americans and paid dearly for it. “It was the struggles of the Iraqis that stayed with Mr. Packer after the journalism was done, and what prompted him to bring ‘Betrayed’ to the stage.”

CanStage Faces Layoffs, Cutbacks

“The Canadian Stage Company, which has a stated aim to create and produce the best in Canadian theatre, will not produce any Canadian work on its mainstage next season… The country’s largest regional theatre [also] laid off up to a dozen people yesterday as part of a major restructuring effort in the face of ongoing financial and artistic problems.”

D.C. Wilson Tribute Losing Its Star Power

“Yesterday Charles S. Dutton dropped out of the Kennedy Center’s August Wilson tribute this spring — the second big name to leave the 10-play retrospective.” Actress Phylicia Rashad had already departed the ambitious project for a Broadway role; Dutton’s jilting apparently came as the result of being offered a part in an undisclosed movie.

Jer-ry! Jer-ry! Jer-ry!

“Will it turn out that the great American musical of the early 21st century is an opera born in Britain? A convincing case for the rights to that title was made by the celestial Jerry Springer: The Opera, the notorious show from London about the transcendent within tabloid television.”