Brooklyn’s St. Ann’s Warehouse Displaced For Apartments

“[The] innovative theater that has been a major cultural player in Brooklyn for nearly 30 years must find a new home now that its 14,000-square-foot space in Dumbo is scheduled to be turned into an apartment complex and school.” Fortunately, the developers are longtime friends of the theater and “are committed to helping St. Ann’s find a new space.”

Emir Richard III, Scourge Of The Gulf

Ben Brantley has high praise for an Arabic-language adaptation of Shakespeare’s ferocious history play now appearing at the Brooklyn Academy of Music. Playwright-director Sulayman Al-Bassam has moved the royal power struggles to a modern-day Persian Gulf state – with an American Henry Tudor and with Richard’s opening soliloquy replaced with a furious introduction by Queen Margaret.

Milwaukee Rep Names Dawn Helsing Managing Director

“The Milwaukee Repertory Theater has chosen Dawn J. Helsing, most recently the executive director of Chicago’s Court Theatre, to be its managing director. She replaces Timothy J. Shields, who left in December after 10 years in the position.” Helsing “was executive director of the Court Theatre for nearly four years before resigning in January to work as a consultant with Chicago’s smaller theaters.”

Tony Hype Aside, B’way Needs Other Ways To Draw Crowds

“With last Sunday’s Tony Awards unlikely to provide a serious boost at Broadway box offices because the big winners are already hits, producers are counting on word of mouth and discounts to prevent closings and dark theaters this summer.” Until the fall season begins, “Broadway’s financial health will depend largely on the Tony winners and losers’ finding ways to build audiences at a time when New York tourism — a backbone of summer attendance — is projected to decrease slightly.”

On New England Stages, Summer Fare Is Lighter, Leaner

“Wellfleet Harbor Actors Theater has made a name for itself as a presenter of dark, edgy, groundbreaking theater.” This season, after losing half a million dollars last year and slashing its budget, the company’s offerings look different — which is to say, frothier and more mainstream. “But in moving from dark drama toward light farce, from the fringe toward the center, WHAT is hardly alone this year among New England’s summer theaters.”

Without Tonys To Save It, Neil LaBute Play Will Shutter

“‘Reasons to Be Pretty’ became the first post-Tony Awards casualty on Broadway, with the struggling play — which came away empty-handed from the kudocast — announcing its final perf would be Sunday. The well-reviewed Neil LaBute play was the season’s most notable illustration of the difficulty of attracting auds in an unusually crowded Broadway slate.”