A 19th-Century Opera That Flipped The Script On The Passive-Princess-Versus-Wicked-Queen Narrative

And that opera, Le Dernier Sorcier (The Last Sorcerer), was composed by a woman — Pauline Viardot, remembered mostly for being one of the century’s great mezzos. Amy Lorette Damron Kyle, a musicologist at the Sorbonne and a singer herself, compares Viardot’s Sorcier to one of opera’s classic passive princess/wicked queen stories, Mozart’s The Magic Flute. – The Conversation

Popular Songs , Social Justice, and the Will to Change with Brad Schreiber

Author Brad Schreiber joins S.T. Patrick to discuss his new book Music is Power: Popular Songs, Social Justice, and the Will to Change. For two hours, Schreiber and Patrick discuss the impact of protest music (or more aptly, socially conscious music) on the culture and on their lives (while playing many of the songs discussed). Some of the topics discussed are the qualities that make up a socially conscious song, if American and British popular music working bottom-up made socially conscious music more plentiful, the Vietnam era, the misuse of Bruce Springsteen songs,  what “This Land Is Your Land” really means, The Man in Black, The Dixie Chicks versus “W,” the impact of “the end of the Sixties,” Marvin Gaye in 1970, whether the music of the 1980s is underrated as socially conscious music, and much more. – Midnight Writers News

How Big Data Has (Is) Transforming The Music Industry

Analysts claim it’s not only possible to see who’s blowing up now, but more importantly, who’s going to be blowing up next. Chartmetric says it can shortlist which of the 1.7 million artists it tracks will have a big career break within the next week. Pandora-owned Next Big Sound reports its patented algorithm can predict which of the nearly 1 million artists it tracks are most likely to hit the Billboard 200 chart for the first time within the next year. – Wired

Vienna Philharmonic Makes (Some) Progress With Its Women Problem

The august, tradition-bound orchestra, founded 177 years ago when Vienna was the capital of a now-vanished empire, would not allow women even to audition until 1997, despite years of criticism, especially from the U.S. (It was happy to employ the services of a female harpist for 26 years before that, though it would not confer membership on her.) Now the 145-member orchestra, which has very low turnover, includes 15 women, with four more in the process of joining. – The New York Times

Sensory-Friendly Orchestra Performances Tap Unserved Audiences

Typically kids, adolescents and adults with autism take in information differently than their neurotypical peers. They can be easily overwhelmed by the senses, noises, visuals and smells. The loud music and the crowds and flashing lights at traditional concerts can overwhelm someone with autism such that they need to leave. – Pittsburgh Post-Gazette