Category: music

Sure, The New Cats’ ‘Memory’ Is A Popera Furball, But Whose Fault Is That?

Let’s talk more about what Andrew Lloyd Weber did with this music, and what’s been done to it since it premiered. Erm, the LAT‘s pop music critic isn’t a fan: “To hear the song’s dreary opening arpeggios now is to reflexively brush off the possibility of encountering something that might move you; the tune, a happily trashy bit of ersatz Puccini, has become a kind of showbiz parody of the emotion it once sought genuinely to embody.” – Los Angeles Times

What Classical Music Needs To Do About Climate Change

Welcome work by the Tyndall Centre for Climate Research examines all the areas of impact touring has on the environment and recognises that the issue is complex: it cannot be solved by planting a set number of trees per tour. From audiences travelling to concerts to the power required by the halls, this crisis is the responsibility of all of us. Everyone must be conscious of their behaviour and acknowledge the active part they have to play. Planning permission for all new concert halls, for example, should only be given if the buildings will be carbon neutral. Existing concert halls must make radical changes to ensure they are as close to carbon neutral as possible. – The Guardian

Prague’s Gorgeous Old Opera House Set To Emerge From Three-Year Renovation

“The Czech State Opera hoisted an ornate curtain on Thursday as a three-year project to restore the 19th-century opera building to its original glory neared completion ahead of a planned reopening next month. The 1.3 billion crown ($56.85 million) renovation aimed to get the main hall as close to how it looked when it opened in Prague in 1888 while adding some modern twists, such as touchscreen displays on all of the around 1,000 seats.” – Reuters

How To Deal With Racist Operas? Show, Don’t Hide

“To survive, opera has to confront the depth of its racism and sexism point-blank, treating classic operas as historical artifacts instead of dynamic cultural productions. Opera directors should approach the production of these classics as museum curators and professors — educating audiences about historical context and making stereotypes visible.” – The New York Times

America’s First Racially Integrated All-Girl Swing Band

“The International Sweethearts broke attendance records at places such as Washington DC’s Howard Theatre, Harlem’s Apollo Theater, Cincinnati’s Cotton Club and the Riviera in St Louis. They played in the same venues as Count Basie and Dizzy Gillespie, were considered some of the most talented musicians of their day and toured France and Germany as a USO act in 1945. Unfortunately, racism and sexism largely swept them from the public record; they became footnotes in other people’s stories.” – The Guardian

André Rieu’s Juggernaut Career

We shouldn’t be surprised that Rieu is a box office sensation. In an era when, we are told, nobody sells DVDs and CDs anymore, Rieu has sold more than 40 million of them. Last year, the Dutch violinist and conductor sold more than 700,000 tickets to his concerts, bringing in $55.9 million (€50.6m) from 71 shows. It’s an impressive haul for someone who has seldom been the beneficiary of media hype. – Irish Times