A 19th-Century Opera That Flipped The Script On The Passive-Princess-Versus-Wicked-Queen Narrative

And that opera, Le Dernier Sorcier (The Last Sorcerer), was composed by a woman — Pauline Viardot, remembered mostly for being one of the century’s great mezzos. Amy Lorette Damron Kyle, a musicologist at the Sorbonne and a singer herself, compares Viardot’s Sorcier to one of opera’s classic passive princess/wicked queen stories, Mozart’s The Magic Flute. – The Conversation

The Creativity Artificial Intelligence Might Bring

“In the future, we can expect computers to produce literature different from anything we could possibly conceive of. Our instinct is to try to make sense of it if we can. But when a new form of writing appears, generated by sophisticated machines, we may not be able to. As we learn to appreciate it, perhaps we will even come to prefer machine-generated literature.” – Nautilus

How Your Work Is Changing Under Governance Of Algorithms

The hidden moments of reclaimed freedom that make any job bearable are being discovered and wiped out by bosses everywhere: That trick you used to use to slow down the machine won’t work anymore; or that window of 23 minutes when you knew your boss couldn’t watch you is vanishing. Whatever little piece of humanity survived in these fragments dies with them.
 – The New Republic