The Singing Missouri Nuns And Their Top-Of-The-Charts Recordings

“Quite unexpectedly, this private, prayerful pursuit has made the Benedictines of Mary a chart-topping recording industry curiosity. After being named Billboard’s No. 1 Classical Traditional Artist of 2012 and 2013, the nuns released their third album, called “Lent At Ephesus,” Feb. 11 on the De Montfort Music/Decca/Universal Classics label.”

Why Hasn’t The Minnesota Orchestra Board Brought Back Osmo Vanska Yet?

“Bringing Mr. Vanska back, if his demands are not unreasonable (and this outsider will not be the one to say whether jettisoning Mr. Henson would be reasonable), would go a long way toward rebuilding bridges to the players, to audiences and to, ahem, critics. The chemistry he obviously had with these musicians is rare, and some of them suggest that it could be even more potent if he were to return under these circumstances.”

The Court Battle That Could Change The Way Musicians Are Paid

“The streaming service Pandora is squaring off against Ascap in a closely watched trial over royalty payments. Big music publishers like Sony/ATV and Universal are calling on the government to overhaul the system, and technology companies are accusing the publishers of trying to skirt federal rules meant to protect them.”

Rethinking What We Expect From Musical Instruments

“Digital audio gives us the opportunity to control any sound with a bunch of buttons floating beneath a glass screen, but it also offers the chance to create instruments that take new forms and inspire new types of performances, unbound by strings, sound holes, hammers or acoustics.”

Massive Fail: US Was Supposed To Issue New Airline Rules For Transporting Musical Instruments

“Final regulations are due Friday, but the department hasn’t even started writing them. Transportation spokeswoman Meghan Keck said the agency hasn’t had enough money to do the work needed to write the regulations.”

Beautiful British Columbia – Where They’re Killing The Band

“Every single step that they [the board and the school administration] have taken is counterproductive to music education,” he says. “It was like an abusive relationship. You only take so much for so long and then you ask, “Why am I killin’ myself here?”