Oh, Great, The Dumb-Tenor Stereotype Is Back In The Spotlight – And Tied Up With #BlackLivesMatter, No Less

At a Major League Baseball game on Tuesday night, a member of the pop-opera group The Tenors, without warning his colleagues, changed the words of Canada’s national anthem to add the words “all lives matter” – and, of course, all hell broke loose. Said tenor evidently had no idea that “all lives matter” is an anti-#BlackLivesMatter backlash slogan and thought he was being inclusive. And so the jokes begin …

Leon Botstein Accepts New Position At Grafenegg Festival

“Austria’s Grafenegg Festival, now approaching its tenth year as a destination summer event, with preliminary events beginning July 16, has appointed Leon Botstein as artistic director of the Grafenegg Campus and Academy, effective in 2018. The position is a new one, not to be confused with artistic director of the festival itself; that is Rudolf Buchbinder, in the job since the event’s beginnings in 2007.”

No, It’s Not Your Imagination – Pop Music Is Getting More Narcissistic (We’ve Got The Data)

“Compared with earlier years, songs in 2010 were more likely to include the singer referring to the self by name, general self-promotion, and bragging about wealth, partner’s appearance, or sexual prowess,” the researchers report. “A similar, albeit nonsignificant increase, was also seen for bragging about musical prowess and demands for respect. Overall, the most popular music from 2010 contained more self-promotion than music from 1990 or 2000.”

JACK Quartet Loses Two Of Its Founders

“Founded in 2007, JACK has become an important ensemble with a reputation for adventurousness and for championing new work. … The personnel change adds a new wrinkle to the quartet’s name. JACK is an acronym made up of the first letters of the first names of its original musicians.”

A Classical Response To #BlackLivesMatter

“After a series of Google searches along the lines of ‘classical music black lives matter,’ it became clear to [Eun Lee] that no such project existed. ‘It just hit me,’ Ms. Lee said, ‘that, as much as we were seeing a response from rap musicians and folk musicians and now more and more pop musicians, there was no such response from the classical music community.'”