Have Black Market Tickets Reached A Tipping Point?

“Campaigners are urging the government to take “four pragmatic steps” that would disrupt the touts and help get more face-value tickets into the hands of fans. Meanwhile, gig goers are being encouraged to sign up at fanfairalliance.org where they can share their experiences and stories, and there are plans to produce educational guides for fans and music businesses.”

Nico Muhly Is Ambivalent About Commissions And Deadlines (But *Loves* Cavafy)

“If I tell people I got a commission, they say ‘Congratulations!’ But a commission is almost like being challenged to a duel. … Or it feels like one of the tasks of Hercules. In this span of time, you have to solve this crazy problem which can be artistic or emotional or musical. … Deadlines are very odd. They’re these constantly shifting sources of anxiety. There’s no way to predict what they actually mean.” (audio)

Bach Manuscript Sells For $3.3 Million At Auction

“Likely written between 1740 and 1745, the Prelude, Fugue and Allegro in E-flat Major (BWV 998) is a favorite among both harpsichords and lutenists. Like many works by [Bach], it can be played on different instruments, which is expressly indicated on this score in the composer’s handwriting: ‘Prélude pour la Luth ò Cembal‘ (for lute or keyboard).”

Palmyra And Its Warrior Queen: Return Of A Forgotten Rossini Opera (Whose Overture You Already Know)

Aureliano in Palmira, which gets its U.S. premiere next week, “tells the story of Roman emperor Aurelian’s 272 A.D. campaign against Queen Zenobia of Palmyra … [It] has had a fascinating journey – from highly anticipated star vehicle to underwhelming opening night to obscurity to recent rediscovery as one of Rossini’s most beautiful works.” And you’ll probably recognize the opening notes immediately.