The Organs That Power Broadway

These two organs are being replaced, for good reason: “‘It is soul-numbing to play that thing,’ Mr. Wachner, the church’s hard-driving director of music and arts, said of the digital instrument in Trinity Church, on Lower Broadway. He also called the Schlicker pipe organ, long resident in St. Paul’s Chapel, Trinity’s historic satellite a few blocks north, ‘tendinitis central.'”

Nézet-Séguin To Lead Met Opera Two Years Early

The company announced on Thursday that Yannick Nézet-Séguin would become its new music director next season, two years ahead of schedule. The accelerated ascension will give much-needed musical stability to the Met, the nation’s largest performing arts organization, which suspended Mr. Levine, its longtime conductor, in December and opened an investigation into his behavior.

Deborah Borda: The Thinking Behind The NY Philharmonic’s Next Season

“We felt the New York Philharmonic should be of our city, about our city, and in our time.” Like every other arts organization, the orchestra is chasing the young (or youngish), and Deborah Borda insists the key is not to peddle outdated prestige or blandish with watered-down entertainment but to present art that is socially engaged. “Millennials are hungry for experience, but they need a different context, one that’s political and social,” she says.

A #BlackLivesMatter Song Cycle For One Of The World’s Leading Tenors

“The poet who wrote the words can be confrontational. The composer is known for cutting-edge jazz. The singer specializes in ornately written operas from another century. Suffice it to say that Cycles of My Being, a new song cycle by poet Terrance Hayes and composer Tyshawn Sorey – prompted by police brutality against African Americans – won’t be anything typical. Or demure.” Says Lawrence Brownlee, who conceived the project for Opera Philadelphia, “Hold on to your seats. We don’t know what’s going to happen. But something is going to happen.”

Judge Rules: Taylor Swift Lyrics Are Too “Banal” To Copyright

In his ruling, Judge Michael W. Fitzgerald held that combining the phrases, “Playas gonna play” and “haters gonna hate,” does not entail sufficient originality to warrant copyright protection. “By 2001, American popular culture was heavily steeped in the concepts of players, haters, and player haters,” Fitzgerald wrote. “The concept of actors acting in accordance with their essential nature is not at all creative; it is banal.”