Cowboy Poetry Ain’t What It Used To Be… And It’s Thriving

Cowboy poetry goes as far back as the late 19th century, when herders were known to recite original poems sitting around their campfires at night. Those poems mimicked the popular verse of their day, at least in form—they never veered into free verse, and they featured a singsong rhythm. Cowboy poetry continued for the next 100 years or so in this fashion, confined to fleeting performances in hushed fields, until 1985, when a group of folk historians used a small grant from the National Endowment for the Arts to create the Gathering in Elko with a simple purpose: to bring together men and women who craved poetry that valued and found beauty in their rural existence.

Audiences Are Livestreaming Theatre. What Could Be Wrong With That?

You can understand the confusion that could arise in an audience member who, aware that theatre performances are now broadcast live to cinemas via NT Live and the like, thinks they are entitled to act as a private broadcast channel to their friends at home. Theatre invites you to be uniquely ‘in the moment’ but, for many, it’s now important also to capture it so that you own it forever.

How Bloomberg Philanthropies Invested In Public Art That Earned Millions

“According to Bloomberg’s math, the four winning projects based in Los Angeles; Gary, Indiana; Spartanburg, South Carolina; and a triumvirate of Albany, Schenectady, and Troy in New York generated $13 million for those four places, both in terms of new jobs, related neighborhood investments, and visitor spending. More than 10 million people are estimated to have viewed those works, which not so subtly encouraged water conservation, culinary job training, better-lit public spaces, and improvement to blighted buildings, respectively.”

Silicon Valley Is Great At Tech, Not So Much On Social Theory

“Silicon Valley tech companies draw on innovative technical theory but have yet to really incorporate advances in social theory. The inattention to such knowledge becomes all too apparent when algorithms fail in their real-life applications – from automated soap-dispensers that fail to turn on when a user has dark brown skin, to the new iPhone X’s inability to distinguish among different Asian women.”

Berkshire Museum Members Vow To Fight On After Settlement On Deaccessioning

“This agreement effectively allows the museum to do what it always wanted to do,” Nicholas M. O’Donnell, a lawyer for the plaintiffs, said by today by phone. “My clients are stunned at the complete reversal by the Attorney General’s office in barely two weeks,” he added in a statement, in reference to an earlier AGO filing that suggested the museum’s “failure to select the less harmful, reasonably practicable, alternative mode of action” could be a breach of fiduciary duty.

UK Governments Have Privatized Many Formerly State-Run Services. Are The Arts Next?

University tuition fees are a prime example. Public transport run for profit by private-sector franchisees is another. Sooner or later, central government’s what-next-to-privatise spotlight was bound to turn to the Arts Council. Unthinkable? Ask any client of the Student Loan Company. Ask anyone who commutes to work by train, paying the highest fares in Europe. Ask English Heritage (once the Ministry of Works) or the Canal and Rivers Trust (formerly British Waterways).

Tyranny Of The Five-Paragraph Essay (Or How Not To Think)

“The foundation is the five-paragraph essay, a form that is chillingly familiar to anyone who has attended high school in the US. In college, the model expands into the five-section research paper. Then in graduate school comes the five-chapter doctoral dissertation. Same jars, same order. By the time the doctoral student becomes a professor, the pattern is set. The Rule of Five is thoroughly fixed in muscle memory, and the scholar is on track to produce a string of journal articles that follow from it. Then it’s time to pass the model on to the next generation. The cycle continues.”

Deborah Borda: The Thinking Behind The NY Philharmonic’s Next Season

“We felt the New York Philharmonic should be of our city, about our city, and in our time.” Like every other arts organization, the orchestra is chasing the young (or youngish), and Deborah Borda insists the key is not to peddle outdated prestige or blandish with watered-down entertainment but to present art that is socially engaged. “Millennials are hungry for experience, but they need a different context, one that’s political and social,” she says.