Toronto’s Ring Suddenly In The Red

Richard Bradshaw’s ambitious (and critically acclaimed) production of Wagner’s Ring Cycle with the Canadian Opera Company is over, and the director ought to be basking in the afterglow of his accomplishment. “Despite being tested by one crisis after another, Bradshaw enjoyed a spectacular triumph. So at this point you would think the political and cultural leaders would hoist him on their shoulders and ride down University Ave. while crowds chant his name. Well, not quite. Bradshaw’s troubles are far from over.” To begin with, the Canada Council has reneged on a $500,000 pledge to help defray the costs associated with the Ring…

Selling Less, Making More

U.S. concert promoters have been in a ticket sales slump for the better part of three years now, and many are saying that sales will likely never return to the levels of five years ago. “Nevertheless, the concert industry is taking those lemons and learning to make lemonade. Despite the decline in ticket sales, Pollstar reports that last year the industry saw a 10.7 percent increase in profits over the previous year’s total of $2.8 billion, for a record $3.1 billion.”

Defending ENO’s Sean Doran

Sean Doran has plenty of detractors who are making life difficult. But, writes John Rockwell, Doran is responsible for some excellent work. “His few, lonely supporters in London see him as the victim of byzantine, not to say operatic, machinations within the English National Opera, abetted by hostile critics still loyal to Mr. Payne.”