The “Miracle” Of El Sistema

“Such adjectives are bandied about so often in the classical music world that they have lost their true meaning, but miraculous is the only possible word to describe performances that reached the highest professional standards, given by teenagers from a country which – before El Sistema – had no meaningful tradition of classical music. One man’s dream has ensured that Venezuela is not only the first South American country to play classical music better than football but that its youth orchestra is the finest advertisement any country could wish for.”

Another Music Institution Mines Its Archives For Recordings

The Monterey Jazz Festival is going into the recording business. “It has plenty to choose from in the archives: “There are over 1,600 tapes, more than 2,000 hours of music. There’s Duke Ellington in there, Count Basie and Woody Herman. There’s blues: Jimmy Witherspoon, Etta James. We have Tito Puente, Brubeck, Mingus. We have Sonny Rollins from ’58…”

No More Park-And-Bark: Opera Singers Learn To Act

“Opera was born as a radical new form incorporating music and drama, but the partnership between the elements has been an uneasy and unequal one, with musical values having taken firm precedence through much of the art form’s history. For impresarios and generally for audiences too, superlative singing has always been considered to be of paramount importance.” But as standards evolve, acting skills are taking a more prominent role.

Why We Love The Tenor High C (And Those Who Hit It)

“Tenor high C’s are scattered throughout the opera literature. Sometimes tenors transpose the aria down slightly or drop an octave, other times they fake it and edge into falsetto voice, where it is easier to sing. Just as often, they hit it, and hold it…. It is moments like those when opera, in addition to the aesthetic joys and emotional satisfactions, can seem like a spectator sport or a circus high-wire act.”

Levine, Boston Impress In Europe

Some concertgoers in Boston may have their doubts about some of the programming decisions that Boston Symphony music director James Levine has made in his first two seasons in the Hub, but in Europe, where the BSO is currently touring, Levine and the Bostonians are making an impressive splash with some gems of the standard 20th century repertoire.

Detroit Symphony Close To New Contract

“Representatives of musicians and management of the Detroit Symphony Orchestra
say they are close to finalizing a three-year contract that will avoid the first DSO strike in 20 years and ensure the season opens next week without a hitch.” The musicians are expected to agree to cuts in the first two years of the deal, but the third year should include a raise that will keep the ensemble in the top ten of American orchestra salaries.