The Grammys Prove Once Again They’re A Joke

“The entire enterprise is basically one massive excuse for the record industry to pat itself on the back, and after the financially disastrous year it just had, that’s not really something the business should be rushing to do. I know all this very well. And still every year, when the Grammy nominations are announced, I inevitably end up finding myself stunned.”

Bronx Symphony At Risk Under New NYC Policy

The Bronx Symphony has been around for 60 years, blending amateurs and professionals into a much-loved community orchestra. “Yet, while the orchestra has survived television and crime waves, changing tastes and internal squabbles, it may not live through a policy change by the city that has put dozens of small arts organizations in competition for public money, ending decades of automatic annual financing.”

Can Classical Music Be Saved On The Net?

“A decade into the internet revolution, the demand for classical downloads is still too soft to define. Dedicated concertgoers, conservative to a fault, have stuck to buying old-fashioned CDs. Apple runs a classical line at I-Tunes, but with limited scope (don’t go looking for Birtwistle) and delivering a feeble 128-192 kilobits per second (kbps), barely one-tenth of the density on CD.”

Thriller At 25 – How It Changed Pop Music

“Thriller” sold 40 million copies during its initial run. “From the distance of a quarter-century, the release of Thriller looks like … the most significant event in popular-music history in the past quarter-century. It is the record that ended commercial pop radio’s de facto apartheid, that ushered in the modern music-video era, that turned a former kiddie star into a new generation’s equivalent of Elvis and the Beatles.”