Thai Film “Uncle Boonmee” Wins Cannes’s Top Prize

“A supernatural-laden drama about a dying man who takes a mystical journey, the film had won the hearts of many critics and festival-goers when it screened last week, but most experts believed the prize would go to one of a group of Cannes veterans, including Alejandro Gonzales Inarritu, Abbas Kiarostami and Mike Leigh, all of whom had well-received films.”

Google Wants Inside Your TV

“Google wants to turn televisions into giant monitors for web surfing so it can make more money selling ads. The company generated nearly $24 billion U.S. in revenue last year, mostly from internet ads displayed on computer screens. The demonstration of the new technology didn’t go smoothly, though.”

How Law And Order Lasted 20 Years

The series “had a fixed formula … but it explored social issues experimentally and innovatively … while linking them to the justice system. And by focusing on narratives rather than on individual characters and their personal lives … [the cast of characters] could be changed or replaced with ease. … [The show] was constantly renovated.”

To Lure New Fans, Bollywood Tries A Remix

Indian audiences will see “the traditional cut of the romantic drama [‘Kites,’] a two-hour-plus movie filled with extended dance sequences.” Audiences elsewhere will get a version “recut by ‘Rush Hour’ director Brett Ratner, a fast-paced, more Westernized rendering … that largely excises the creative indulgences that distinguish many Bollywood productions.”

Warner Bros. Reviving Bugs Bunny, Daffy Duck And Wile E. Coyote, Genius

“Ask a first grader to identify Bugs Bunny and the response more likely than not will be a blank stare. Dora, sure. Mickey, alive and kicking. But Porky who? Worried that the low profile of the Looney Tunes cast of characters among children is the start of th-th-th-that’s all folks for the historic cartoon franchise, Warner Brothers is embarking on a five-alarm rescue effort.”

How Fritz Lang’s Metropolis Changed Pop Culture

“Released in 1927, the same year as the first talkie, The Jazz Singer, it’s a parable of class struggle, foregrounding issues that obsessed 1920s audiences and that have persisted through the present: the oppressive scale of modern cities, the exploitation of the lower classes by the powerful, and the allure of technology, which is presented by Lang as something akin to dark magic.”