You Can’t Please Everyone

When Washington, D.C. public radio station WETA decided to switch its format back to classical music (after two years as an all-news station,) classical fans rejoiced, but not everyone was happy. The station faced severe opposition from longtime listeners when it dumped classical music, but plenty of listeners liked the news-talk format as well, and they claim that WETA deceived them.

Sundance Spending Spree Sparks Skepticism

This year’s Sundance Festival has been a contradictory mix of low hype and huge sales. “A festival that was generally expected to be too dark and uncommercial for a breakout hit has turned into a buying spree. One reason is this week’s announcement that Little Miss Sunshine has been nominated for four Academy Awards, including best picture.” But reproducing that movie’s commercial success is hardly as easy as throwing wads of cash around Utah, and many wonder if the studios really have any idea what they’re buying.

Parental Guidance Suggested

Everyone, it seems, likes to bash the MPAA for its inconsistent and (some feel) out of date film ratings system. But what about reserving some outrage for the thousands of parents who apparently have no problem toting their young children along to see a movie chock full of horrific violence and themes far too adult for them to understand? The MPAA is considering a special advisory for the clueless.

The Kids Are Not Even Remotely All Right

Film critics have been rushing to debunk the controversy over the “rape” of child star Dakota Fanning in a new film screening at Sundance this week. But while Fanning may not have been in harm’s way when the film was made, there’s no question that this year’s crop of Sundance features is chock full of kids in horrible (if fictionalized) situations.

‘Filmanthropy’ As A Public Service

The owner of the Washington Capitals hockey team has produced a powerful documentary on the Rape of Nanking, which is currently being shopped at Sundance. “And now that he’s made one film, Leonsis thinks he’s latched onto a Big Idea: He fancies using a ‘filmanthropy’ model to make future projects with a social bent.”

Oscar’s Internationalist Year

This year’s Oscar nominations have a decidedly international flavor. “It’s not anymore about cultural barriers or language barriers. It’s emotion and humanity. We are using the power of cinema to cross borders. We are understanding that now there’s a cultural connection that needs to happen. Most films can reveal the nature of other countries and other people around the world.”