How Broadway Is Treating Choreography

This year’s nominees for Tony choreography “represent three separate genres of show choreography. The first genre features dance and movement that are perfectly in keeping with the rest of the show without exhibiting any distracting distinction of their own. The second, a rarer type, is choreography that actually becomes part of the show’s inner motor. The third — and rarest — occurs when movement, dance and choreography are right at the center of the image that the work puts across.”

Grands Ballets Canadiens Exec Blasts Ottawa For Not Funding Mideast Tour

The Montreal company, which is setting out on a four-week tour that includes debuts in Egypt and Israel, “is short $150,000 because of the cancellation last year of Promart and Trade Routes, two government programs that supported the export of Canadian culture. … Alain Dancyger, Les Grands Ballets’ executive director, says corporate and private sponsors at home and abroad are bewildered that the Conservative government is not one of the tour’s supporters.”

Wheelchair Users, Celebs To Pair Up On BBC Dance Show

“BBC3 is to broadcast a Strictly Come Dancing-style show featuring wheelchair users, called Dancing on Wheels. Each of the series’ six wheelchair users will be paired with a celebrity, including singer Heather Small and actress Michelle Gayle, to learn the art of Wheelchair Dance Sport, a popular international sport where at least one dancer is in a wheelchair.”

Dancer In A Box

“Take a 5ft-10in, 36-year-old Frenchman with a degree in maths and economics and a history of hurdling. Jam him in a room measuring barely 10ft x 8ft x 7ft, with only an eerily inquisitive Anglepoise-style lamp for company. Oh – and ensure that the resulting spectacle is 50 minutes of pure, intense, even beautiful enjoyment.”

National Ballet Of Canada’s ‘Iron Butterfly’ Takes Her Leave

Chan Hon Goh, a star at the company for two decades, “never fully recovered from the injuries she sustained in [a 2006] car accident, and says it has forced her to recognize she can no longer push herself as she once did. ‘I need intensive physiotherapy and massage in order to dance,’ she says. ‘It’s a vicious circle; I push, and everything seizes up again.'”

Remembering Martha Graham As Her Work Was

“Especially in the years following the choreographer’s death in 1991, the fires set during the 65 years Graham headed her company have largely faded to embers. The diminution of Graham’s once-forceful presence in modern dance, at its peak during her heyday as performer and creator in the 1930s and ’40s, has come from a combination of factors.”