New Dance Park On The Hudson Announces Its First Spring Festival

In August, Kaatsbaan, the former-farm-turned-dance colony upstate, founded by former ballet star Stella Abrera, hosted the East Coast’s first professional public dance performances since the pandemic began. It will launch a two-weekend festival next May, with performers including ABT, Mark Morris Dance Group, and members of Ailey and NY City Ballet. – The New York Times

Sure, There Are Zillions Onscreen, But Nutcracker Season Doesn’t Feel Real This Year

And that’s a problem for the future. The Nutcracker is “the production that helps make a lot of others possible. That holiday ballet can account for 20% of many companies’ ticket sales, and, in the case of a major company like Chicago’s Joffrey, about half of its annual earned revenue. Ashley Wheater, the artistic director of The Joffrey, told us the company has lost more than $12 million in earnings during the pandemic and has had to cancel newer works they had planned.” – NPR

Rebellion At Spain’s Compañía Nacional De Danza After Director’s Girlfriend Promoted To Highest Rank

There’s little question that Kayoko Everhart is a competent dancer: she’s been with CND for 16 years and a principal for eight. Last month, after a public competition, she was awarded the highest rank, estrella (equivalent to the Paris Opera Ballet’s étoile) — with a 20% pay raise. Then her colleagues found out that she had recently started dating the artistic director, former New York City Ballet star Joaquín de Luz. (in Spanish) – El Mundo (Spain)

Berlin’s Staatsballett’s First Black Dancer Accuses The Company Of Racism

Chloé Lopes Gomes, a French citizen, who joined the Staatsballett as a corps de ballet member in 2018, said she had faced recurrent racial abuse from her ballet mistress. In an interview with the Guardian she also accuses the company of institutional racism after managers failed to act even after various incidents were brought to their attention. – The Guardian

What Does It Mean For A Dance Artist To Have An Artistic Home?

It could be an established company with a full-fledged theater and studios, a long-term residency at an institution, a live-work space such as a loft, or even just a regular job with a salary and benefits. Choreographer Kimberly Bartosik explores what the concept means for her and for such colleagues as Bebe Miller, Kyle Abraham, and Jonah Bokaer. – Dance Magazine

What David Hallberg Really Loves About The Australian Ballet

Well, besides the fact that the company saved his mangled foot. “I can’t tell you how nice it is to come into an organisation that has positivity embedded in it. It is a trait I admire in Australia itself. I lived in Moscow for years; there isn’t much positivity roaming around Moscow or the Bolshoi Theatre for that matter. I mean [the Bolshoi] is a fabulous, world-class company to which I am very grateful for the experience, but the AB has this can-do belief in doing the best they possibly can do.” – Dance Australia

The Agonizing, Years-Long Journey That Took David Hallberg To The Australian Ballet

“I was broken,” the new director of the company says. In 2013, he injured a foot, and the treatment he got for it (including one badly misguided surgery, followed by another to correct the first) over the next two years was disastrous, much worse than he revealed publicly at the time. At age 33, not only could he no longer dance, he couldn’t really walk properly. Desperate, he got a one-way plane ticket to Melbourne and turned to the Australian Ballet’s unique physiotherapy team. Here’s the story of how they saved him. – The Age (Melbourne)

Alvin Ailey’s Robert Battle On How Dance Will Have Changed After The Pandemic

“I can’t imagine that once we’re back doing live performance that some of the things we’ve learned about filming dance and embracing that as a thing unto itself rather than only a response to not being able to be in the theater, but to go into the art of filming dance – and I think that’s what’s wonderful about what we did with ‘Revelations’.” – NPR

The Nutcracker As More Than Just A Show

That is, Nutcracker, but make it about touch and sound. Blind and visually impaired students in these classes, now via video from the students’ homes, each receive “a package of Nutcracker artifacts: a pointe shoe, a candy cane, a long stretch of tulle (from which tutus are made), a story synopsis and glossary in large print or Braille, sheet music with sections of Tchaikovsky’s score, and, of course, a nutcracker.” – The New York Times