Dean Of South Korean Contemporary Art, Suh Se Ok, Dead At 91

“A student of calligraphy, Suh and his [avant-garde] compatriots were intent on forging an experimental, distinctly Korean form of ink painting, eschewing the Japanese techniques that had held sway during its colonial rule of the peninsula, which ended in 1945. They were in dialogue with American and European postwar abstract painting movements such as Art Informel, while spurning their tools, unlike many of their Korean contemporaries.” – ARTnews

The Agonizing, Years-Long Journey That Took David Hallberg To The Australian Ballet

“I was broken,” the new director of the company says. In 2013, he injured a foot, and the treatment he got for it (including one badly misguided surgery, followed by another to correct the first) over the next two years was disastrous, much worse than he revealed publicly at the time. At age 33, not only could he no longer dance, he couldn’t really walk properly. Desperate, he got a one-way plane ticket to Melbourne and turned to the Australian Ballet’s unique physiotherapy team. Here’s the story of how they saved him. – The Age (Melbourne)

Can The Great British Bake Off Survive Global Warming?

Nope. “The heat has become an increasingly familiar character. The camera pans over shot after shot of the searing sun. The judges explain an upcoming challenge, once again emphasizing that the heat will make it even more difficult. (Butter, the star ingredient of many baked goods, turns into liquid at 94 F [34 C], and starts to soften long before that.) To cool down during challenges, the bakers have started wearing wet rags around their necks that leave damp patches on their aprons.” – Wired

We All Know The Crown Is Fiction, So Why Is The British Government So Concerned?

As the author points out tartly, “The presence of actors is a strong clue” that the Netflix series isn’t a documentary. And yet there is a source for this discomfort: “The real source of unease with The Crown comes from the dissonance between the high naturalism of the program’s costumes, staging, and set design and the liberties taken with its plotlines. The current discussion would not be happening if the show were not so rigorously faithful to the historical record in every department except for its script.” – The Atlantic

How Much Art, Hidden Beneath Wallpaper Or Paint, Is Lost To Renovation?

Or, as the paper calls it, a renovation “craze” in Britain. “Radical home makeovers are increasingly common, reflected by all the TV shows on the theme. This often results in damage and loss of wall paintings, particularly as wattle and daub panelling may be in poor condition. It is usually stripped out and replaced rather than preserved.” – The Observer (UK)

Waiting For Your Virus-Canceled Opera To Premiere, And Then Waiting More, Is So Very 2020

Composer Elaine Agnew was supposed to see her opera Paper Boats premiere in Galway. “The original plan for three performances in mid-June was lost due to the first lockdown and the December performance would have been a slimmed-down livestream. Now, like most of Music for Galway’s 2020 plans … it’s hovering, Cheshire-cat-like, in the imponderable, post-festive, pre-vaccine future most of us are contemplating for the early months of 2021.” – Irish Times