NYC’s Culture Pass Brought Library Users To Museums. Now The Museums Are Bringing Themselves To The Libraries

The municipal program, launched last summer, allows anyone in the five boroughs with a library card to reserve a limited number of free passes to various museums (including the biggies) in the city. Now, a second phase of the program will see those museums offering public programs at city branch libraries. – The Art Newspaper

Sinemia, Which Tried To Move Into MoviePass’s Niche, Abruptly Quits U.S. Market

The subscription service, which launched in Turkey in 2014 and also operates in the U.K., Canada, and Australia, tried to capture customers fleeing MoviePass last fall with an unlimited-films-for-$30-per-month plan. But the predictable money troubles that resulted were compounded by lawsuits from MoviePass (for patent infringement) and a group of customers (for bait-and-switch pricing). – Gizmodo

Why Does Country Music Have Such A Race Problem?

So … Lil Nas X’s “Old Town Road” is sitting at number one in the UK – and in the US, but despite its utter yeehaw-ness, not on the country charts because Billboard claimed it didn’t “embrace enough elements of today’s country music.” Riiiiight. The genre has a bit of an issue with Black musicians (and other musicians of color), and women of any race as well. “The gravity of this discrimination really hits home when you consider that country is the biggest radio format in the US.” – The Guardian (UK)

Beyond The Met’s Live In HD: Opera Companies All Over Bring Their Performances To Cinemas And The Web

“Since the Metropolitan Opera began broadcasting live to movie theaters, in 2006, companies from the Bolshoi to the Komische Oper Berlin have seen digital distribution as crucial to positioning themselves internationally. Only a handful of players have the standing and resources to create for cinema, and many organizations in Europe turn to free web streaming, but never before have opera houses had such freedom to produce their own content.” – The New York Times