‘Radical Hospitality’ — Why Seattle’s Intiman Theatre Has Made All Its Tickets Free

“The initiative, artistic director Jen Zeyl explained, is about more than the standard theater problem of getting ‘butts in seats.’ (Though, of course, there’s that.) It’s about getting the butts one wants in seats — not just the people who can afford to take the $25+ crap shoot known as a theater ticket, but the people who can’t: the woman at the corner store, high-school sophomore, the guy asking for spare change on the sidewalk.” – The Seattle Times

“Avengers” Edges Out “Avatar” To Become All-Time Movie Box Office Champ

What do all of these films have in common, besides an undying commitment to computer generated aliens? They’re no longer truly competitors now that they’re all owned by Disney, which is slated to continue its monopolistic dominance well into the future, with nearly a decade of theatrical releases and television series planned for Disney’s streaming service Disney+ already planned out. – Slate

When Plays Have Rape Scenes, What’s The Right Thing To Do For Theatre Profs And Students?

Should a theatre prof be responsible for taking her students to a play that has scenes with violence and rape? And perhaps more to the point, does theatrical responsibility extend to warning those in the potential audience who have experienced gendered violence? (And finally, why are some people worried that warnings might be required – what’s it to them?) – Howlround

Museums In Britain Are Taking Out And Showing The LGBTQ-Themed Artworks And Objects They Used To Keep Hidden Away

“The [Victoria and Albert Museum LGBTQ] tour’s burgeoning popularity is part of a more general ‘queering’ of British museums that is gathering pace. Institutions across the UK are teasing out stories of same-sex desire and gender nonconformity in artefacts that have, until now, been left untold, or actively suppressed.” – The Guardian

The Stampede To Chase Streaming Video Subscribers Is Creating An Avalanche Of Content

As AT&T/Time Warner/HBO, NBC Universal, Disney, and Apple rush to compete with Netflix, Hulu, and Amazon Prime (who, of course, all compete with each other), streaming television has become a giant maw that must be constantly fed with new shows. Yes, this gives showrunners plenty of room for creativity with material and format, but it’s also leading from the “Golden Age” of TV to the era of “good enough.” Jonah Weiner offers a longread about the prospects, good and bad. – The New York Times Magazine