This Week In Understanding Audience Stories: America’s Creative Divide Isn’t Where You Think

This Week: There’s a creative divide in America but it’s not where you think… Rethinking the modern concert hall in favor of the audience… Is glamour an ineffective sell for pop music?… A link between audience attendance and donations (not what you think)… Why has reading of literature declined?

Are West End Productions Choosing Smaller Theatres To Raise Ticket Prices?

Andrew Lloyd Webber: “It’s really important that theatre is accessible and that is one of the reasons we went into a rather bigger theatre on Broadway than perhaps some people would have suggested. There is a school of thought that what you do is keep the show really, really tight and then force ticket prices up,” he said. He added: “Several producers have been doing that but I am not one of them.”

“I’m Done With Going To The Theatre To Watch Movies”

“As a baby boomer, I find that my days of settling in to a short subject, cartoon and B movie with a box of popcorn and some candy are way over. I want to focus on a well-made movie in silence. Instead, I have to endure a reserved seat where I am stuck, typically around people chomping on their popcorn, fidgeting with candy wrappers, talking and checking the latest text on their cellphones.”

Comfy Chairs, Legroom, Lockers, And Glamour: A Wish List For The Revamp Of The New York Philharmonic’s Hall

Michael Cooper: “Of course they need to fix the acoustics. … But what about the little things that can make all the difference when it comes to creating a concert hall that people will fall in love with? The things that might not rise to the top of the to-do list when planning a mega-project that is expected to begin in 2019 and cost on the order of a half-billion dollars? As a frequent concertgoer, I have a few modest proposals.”