Blog

On Broadway, Female Lead Producers Are Coming Into Their Own

“Many in this new generation of female producers are taking alternate paths to the industry’s top rung — picking up skills in the nonprofit theater world, which has become an important breeding ground for Broadway shows, or in the corporate entertainment industry, home to many of the movie and pop-music brands that end up seeding international stages.” – The New York Times

How Music Festivals Got To Be A Mega-Business

This year there will be roughly 100 large, multi-day events—attended by more than 10,000 people each—around the United States. Live Nation, the concert and festival promoter, is now arguably the most important firm in the music industry, with more revenues than most traditional record labels. It owns four of the five largest festivals. AEG, the sports and entertainment company, owns two others. – CityLab

How The Royal Ballet Trains Pigeons To Play The Title Roles In A Frederick Ashton Ballet

The eponymous avians in Ashton’s The Two Pigeons are meant to be living symbols of the relationship between the two human leads, called the Young Man and the Young Girl. Reporter Jennifer Lu talks with Emma Hills, who trains the pigeons who have been doing the show for a decade, about how she teaches them and what mischief they occasionally get up to. – Pointe Magazine

After Difficult Period, New York Public Radio Has New CEO

Goli Sheikholeslami, who since 2014 has led a major turnaround as Chicago Public Radio (WBEZ), will take the helm at New York Public Radio (which includes WNYC, classical station WQXR, NJ Public Radio, and WNYC Studios, a major podcast producer) in October. She succeeds Laura Walker, who presided over extraordinary growth over more than two decades but came under pressure after a series of accusations and scandals involving longtime radio hosts. – The New York Times