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Why Vinyl Records Are Cool Again (And Getting More Expensive)

For some, buying records is no longer about owning the same piece of music as everyone else but owning a version of it that few others have. It reflects a change in contemporary relationships to owning music, says Sevier. “Owning a limited or special edition is doubling down on the closeness you feel to an album or artist. You can’t display your streaming history like a trophy.” – The Guardian

Cultural Appropriation? Let’s Understand Exactly What It Is

Increasingly there’s this repeated story in our country where actually a whole lot of people don’t get to profit off of the creative insights that they have. That is totally racially structured. That is totally class-structured. So this connection between race and wealth that I’m trying to establish is that the rules of who gets to profit from what they make are totally unequal. We can see this in [areas] that seem to be as frivolous as the makeup you put on your face or the clothes you put on your body. But it all trickles from this initial system of inequality. – Vox

Dilbert Creator Proposes “Mulligans” For A Kinder Internet

He lays out two such rules in his new book, Loserthink. His first proposal, which he calls the “48-hour rule,” states that everyone should be given a grace period of a couple of days to retract any controversial statement they’ve made, no questions asked. “We live in a better world if we accept people’s clarifications and we accept their apologies, no matter whether we think—internally—it’s insincere,” he says. His other idea is the “20-year rule,” which states that everyone should be automatically forgiven for any mistakes they made more than two decades ago—with the exception of certain serious crimes. – Wired

Reset: 50 Classic Songs About LA? Things Are Changing

Some of Los Angeles’ selling points need to be reset. The idea of endless summers has shifted in the age of climate change. “It Never Rains in Southern California” has morphed into Bad Religion’s “Los Angeles Is Burning.” The carefree allure of rolling down the Ventura Highway used to be a cool thing to sing about. Now the drive is mostly a bumper-to-bumper slog. – Los Angeles Times

Why Do We Only Equate Innovation And Creativity With Cities?

Few people, particularly those cognizant of current writing on cities, culture, and technology, would blink at the sentence above. “Urban innovation,” the “smart city,” and the “triumph of the city”—these have become familiar as buzz phrases and even book titles. But what about peripheral regions, rural areas, and small towns—can’t they be smart and innovative? And what exactly is meant by “the triumph of the city”? Triumph over what? – CityLab

Queering History: How LGBTQ Artists, Playwrights, And Novelists Are Reimagining The Past

Jesse Green: “On the whole, queer art, which fully emerged from the closet in the 1960s and 1970s — around the same time people in great numbers did — has mostly concerned itself with its own moment, as if to say, ‘Here I am.’ … [Yet] another approach has been emerging in tandem. … The watchcry for these works isn’t so much ‘Here I am’ as ‘There we were.’ More trenchantly, they sometimes ask how the two ideas are, or aren’t, related. What is the queer past for?” – T — The New York Times Style Magazine

Turner Prize’s Shared Winners Decision Says Something Important About Today’s Arts World

Phil Kennicott: “The artists’ appeal, and the jury’s willingness to grant it, says a lot about the kind of art these particular artists make, which is political, documentary, socially engaged and deeply intertwined with activism. This wasn’t just about refusing the idea that one of them take home the 25,000 pound first prize while the other three received the 5,000 pound finalist awards. Rather, it was about giving one social concern priority over the others.” – Washington Post