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Canadian Broadcasters Struggle With How To Deal With Legacy Shows With Inappropriate Content

Robert Hackett, an emeritus professor in Simon Fraser University’s communications department, suggested broadcasters are “caught between a rock and a hard place” when it comes to addressing the problems with beloved content, where they risk facing accusations of cultural insensitivity on one hand or censorship on the other. – Toronto Star

Did Orwell’s Early Death Save His Reputation?

Had Orwell lived even a few more years he would have been drawn into public discussions of Animal Farm and Nineteen Eighty-four and their meaning. And had he equalled his friend Cyril Connolly’s longevity and lived into the 1970s, he would have become embroiled in controversies like the Cold War, nuclear disarmament, feminism, decolonisation, Vietnam, immigration and, who knows, Northern Ireland. – Dublin Review of Books

Research: Success And “Dark Personality” Traits

We know that approximately 1-2 per cent of individuals in the general population display extremely dark personality features – enough to meet the clinical threshold for a personality disorder – and about 10-20 per cent of individuals have moderately elevated levels. We know that even people with moderate levels of dark traits can wreak havoc: they are more likely to lie and cheat, show racist attitudes, and be violent towards others. – Psyche

The Mythification Of John Lennon

“Myths are for figures even greater than [legends]; gods. And John Lennon has indeed achieved a kind of deific immortality – thanks in part to the appropriation of his persona in works of fiction and drama. With portrayals of him that have cast him as everything from unemployed layabout to Labour Party leader, wise old fisherman to actual psychedelic godhead, Lennon’s life has been romanticised, rehashed and rewritten since his death, to the point where the myth is often more real than the man. … And the [process] began almost as soon as his life ended.” – BBC

What August Wilson’s 10-Play Pittsburgh Cycle Did For American Culture

“He introduced a frank, original view of the nation onto the stage. … His characters collide with the expectations of white America, but they also collide with one another, in itself radically humanizing — to have ordinary Black characters with different views and dispositions, as opposed to sharing a monolithic experience — in an era when few such stories found their way to Broadway. But Wilson also bestowed Black audiences with a different gift: a reconsideration of time, measured in and by the lives of the African-Americans living it.” – T — The New York Times Style Magazine