What August Wilson’s 10-Play Pittsburgh Cycle Did For American Culture

“He introduced a frank, original view of the nation onto the stage. … His characters collide with the expectations of white America, but they also collide with one another, in itself radically humanizing — to have ordinary Black characters with different views and dispositions, as opposed to sharing a monolithic experience — in an era when few such stories found their way to Broadway. But Wilson also bestowed Black audiences with a different gift: a reconsideration of time, measured in and by the lives of the African-Americans living it.” – T — The New York Times Style Magazine