Blog

Generational Change: Regional Theatre Pioneer Emily Mann Leaves McCarter

Mann didn’t just lead Princeton’s $23 million theatre from a respected regional outpost to a Tony-winning incubator of new work and new talent. While there she also built on an already ground-breaking career as a documentary-play creator and feminist director to create signature American works as Having Our Say: The Delany Sisters’ First 100 Years. Her stamp is on not only generations of theatre artists but creative administrators as well. – American Theatre

Boogie Fever: The Dance Plagues Of Medieval Europe

A widespread belief of the 15th century held that the bite of a tarantula could only be treated by wild, mad dancing; groups of people would be possessed by a compulsion to dance, and towns would pay musicians to play for the sufferers. (Hence the dance called the tarantella.) “In fact, mass epidemics of dancing have afflicted various parts of Europe since the seventh century, breaking out particularly in times of famine, disease, and political unrest.” — JSTOR Daily

Anne Midgette: I Was Wrong About Movie Music And The Concert Hall

“I saw ‘A New Hope’ with both the NSO and the BSO in September and found that the experience confirmed something I had started to suspect: As a classical music critic, I was clueless. That is: While I liked John Williams’s music just fine when I first saw the film at age 12, by the time I had attained legal adulthood, laden with a cargo of acquired snobbery about the superiority of Western civilization, I had learned, and bravely parroted, that ‘film music’ was somehow beneath me.”  – Washington Post

Developing Authentic Disability Theatre, And Bringing It To The Public

“Theatre has the power to help us recognize the social forces that we have created as a society and allows us to envision how we can change them. To incite positive social change and critically alter the way society views differences, voices from the disability community must be included in what we present onstage.” Seattle dramaturg Andrea Kovich, who identifies as disabled, writes about two projects focused on the work of Deaf and disabled playwrights that she recently did with Sound Theatre Company. — HowlRound