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The Daunting Task Of Preserving Auschwitz

In the museum’s storage areas and display rooms, there are some 3,800 suitcases, along with 5,000 toothbrushes and 110,000 shoes and shoe remnants. There are also mountains of human hair, prosthetic limbs, eyeglasses and other things left behind by the prisoners. It all amounts to a huge number of artifacts given the museum’s storage capacity — but relative to the vast number of victims, it isn’t much. – Der Spiegel

Report: UK Publishing Industry Workforce Fails To Reflect The Population

The industry has failed to represent the working population of the capital, and continues to fail to connect with regions outside London. “The report shows we have a passionate industry full of people who are having to move away from their homes across the country in order to work in books – but we’ve also neglected to include the local population.” – The Guardian (UK)

Are Some Ideas Too Extreme To Be Expressed?

Which beliefs exactly should be judged as “out of bounds”—and who gets to be the referee? How wide is the circle of ideas that are not even worthy of discussion? Such questions are themselves open to debate, and the judgments we make about them in particular cases will tend to be provisional. Still, this is preferable to the alternative. For there is a growing cost to pretending we’ve arrived at a settled consensus about their answers, or to denying that they are even real questions. – The Point

Why Would Writers Sign Morality Clauses For Twitter?

“Off the top of my head, too-hot-to-handle topics now include anything to do with gender, sex, race, immigration, disability, social class, obesity and Islam (surely that list is too short). Writers who sign contracts with morality clauses would naturally shy from expressing views that depart from the dominant political orthodoxy, lest whole manuscripts be rejected and their advances be withdrawn.” – The Spectator

How Performing Arts Centers Are Evolving For The 21st Century

‘We really see that we have a role in creating pathways for creative people who are local and who are in the community to create work, have their ideas and get their work onto a stage – pathways for their work to find its way out into the wider world. And then the other way is pathways into this region, bringing work from the rest of the world to Geelong to keep us excited about what the arts are. That’s one of the ways that we’re starting to think about it for ourselves.’ – ArtsHub