Community Youth Theater Ordered To Pay $450K For Copyright Infringement

A U.S. federal court in Virginia ordered Theaterpalooza Community Theater Productions, Inc. to pay damages and and attorney fees to Music Theatre International, the major licensor for musicals, after Theaterpalooza staged at least 16 musicals (including Matilda, Seussical, and Little Shop of Horrors) without licensing and the company’s owner ignored repeated cease-and-desist letters. — Playbill

Are Some Ideas Too Extreme To Be Expressed?

Which beliefs exactly should be judged as “out of bounds”—and who gets to be the referee? How wide is the circle of ideas that are not even worthy of discussion? Such questions are themselves open to debate, and the judgments we make about them in particular cases will tend to be provisional. Still, this is preferable to the alternative. For there is a growing cost to pretending we’ve arrived at a settled consensus about their answers, or to denying that they are even real questions. – The Point

Generational Change: Regional Theatre Pioneer Emily Mann Leaves McCarter

Mann didn’t just lead Princeton’s $23 million theatre from a respected regional outpost to a Tony-winning incubator of new work and new talent. While there she also built on an already ground-breaking career as a documentary-play creator and feminist director to create signature American works as Having Our Say: The Delany Sisters’ First 100 Years. Her stamp is on not only generations of theatre artists but creative administrators as well. – American Theatre

New Film Shows Us An Actual Soviet Show Trial

In The Trial, Ukrainian director Sergei Loznitsa and his team use only rare, recently-discovered film (with sound) of a full 1930 show trial in Moscow. Masha Gessen explains just how fitting the term show trial is: “the judges, the prosecutor, the court clerks, and the defendants are all members of the cast. They are performing their assigned roles. The rest of the people in the hall — men and women of different ages, some dressed in military uniforms and some in civilian suits, but all wearing their best — are the audience, and their job is to believe everything they see.” — The New Yorker