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A Grand Entrance, Leading To A Large Bill

“[Britain’s] National Gallery will open its new £21m front door on Sunday and hope that the splendour of the black marble staircase and the excellence of the coffee in the new cafe provokes a gush of public generosity. Although more building work starts next month, the gallery still has to raise £3m of the cost.” Having appealed to the government for assistance in purchasing a priceless Raphael miniature last year, the fundraising for the remainder of the gallery’s renovations will need to be done in the private sector, no small task in a nation which does not have America’s tradition of private philanthropy.

Those Who Can’t Play, Listen

Actor Stephen Fry was never much good with a musical instrument in his youth. “At school, one of my greatest regrets was my inability to produce any two notes, in order, that could be said to resemble a tune. One note? Fine, I could produce one note with the best of them, possibly not a very nice note, admittedly, but nevertheless, a note all the same. It was only when I had to produce two or more notes, in succession, in tune, that I had any problems.” Still, Fry’s inability to play music never inhibited his love of the classical form, and his new book on the subject of listening to the stuff is a true labor of love.

Ambitious Minds Shape Daring Canadian Opera

“It was just over a decade ago at the Edinburgh Festival that the Canadian Opera Company mounted a radically new production of ‘Bluebeard’s Castle/Erwartung’ that has since emblemized the next life of the COC. And as the $181-million Four Seasons Centre for the Performing Arts continues to rise as Canada’s first purpose-built opera house at that prime (Toronto) corner, some part of its foundation can be said to have been laid by the international breakthrough the company achieved overseas.”

Anti-Semitism In A Prague Choir?

“Charges of anti-Semitism have rocked Prague’s cultural elite following allegations that the head of the philharmonic choir has pursued a vendetta against a tenor with Jewish roots. But it is far from clear whether the nature of the conflict between the choir director, Petr Danek, and the tenor, Michal Forst, is based more on personal animosity than on actual anti-Semitic slurs and behavior.”