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But How Does It Sound?

“The hall sounded like a winner. It’s got a very attractive resonance, flattering to all parts of the orchestra and especially to voices on stage. The sound is warm and a bit contained, but without dryness. It is clear enough to expose every section of the orchestra (a challenging asset), and to give maximum transparency to sung or spoken text.”

The Creative Economy

“The U.S. is at the forefront of this global creative economy. Over the next decade, it’s projected to add 10 million more creative sector jobs, according to the newest numbers from the Bureau of Labor Statistics. At the present rate of increase, creative jobs alone will soon eclipse the total number of jobs in all of manufacturing. Already, more than 40 million Americans work in the creative sector, which has grown by 20 million jobs since the 1980s. It accounts for more than $2 trillion USD—or nearly half—of all wages and salaries paid in the U.S.”

Hollywood’s Internet Marketing 2.0

This summer Hollywood studios are turning to new websites. “Some of these studios are enjoying massive exposure by placing marketing materials on smaller, cutting-edge sites that emphasize on-demand and user-generated content, as well as video sharing. While still promoting their films through standard ad buys on big-reach portals like Yahoo!, MSN and AOL, many studios are seeding their content on smaller venues and banking on their fans to form their own distribution channels.”

Singing Carlos Acosta’s Praises

So why isn’t the Royal Ballet’s Carlos Acosta a popular hero? “Why isn’t he a celebrity on the scale of Nureyev? He is incontrovertibly one of the great artistic phenomenona of our time. It’s hard to imagine anyone else, in any artform, who could combine such of virtuosity, wit, charm, grace and interpretative skill.”

The Bolshoi’s Precarious Condition

The Bolshoi has been threatening to disintegrate for years. The original theatre was built between 1821 and 1825, then destroyed by fire and rebuilt in 1853. In 1920, the building started to shake during a performance. They fixed that with a concrete base beneath the floor – which affected the acoustics. In 2002 a second world war bomb was discovered beneath one of the theatre’s entrances. But it wasn’t until last year’s closure that anyone realised exactly how serious the situation was. The foundations had sunk by 20cm. There were areas of brickwork that, when the restorers tried to take them apart, crumbled to the touch.”