What Happens When We’ll Be Able To Edit Out Memories From Our Brains?

“Most of the time, we’re still better at subconsciously editing our own recollections than any new technology is. But with researchers working on techniques that can chisel, reconstruct and purge life’s memories, it becomes crucial to ask: do we need our real memories? What makes us believe that memory is so sacrosanct? And do memories really make us who we are?”

Have Recent Productions Of Mid-20th Century Theatre Classics Blurred History?

“A series of recent productions that came to New York with great acclaim have implicitly questioned whether we can still see these plays for what they are, or whether they need to be made new to avoid seeming stale. These productions took plays that are deeply rooted in a particular time and place—and that deal, urgently, with the issues of their day—and ripped them up forcefully to re-pot them in fresh soil.”

Jonathan Franzen On His Battle For Ideas

“I go to extraordinary lengths not to hear what people are saying about me. But that is itself a form of, well, it’s a form of self-protection because I know that all I have to do is hear one phrase—somebody will report to me all innocently, oh, somebody said such-and-such about me or about something I wrote, like I did this piece for the New Yorker a year-and-a-half ago where I made some, I thought, sensible points about the reality of climate change and the unavoidability of radical climate change, and people said, ‘Oh God, somebody called you a birdbrain’.”

Do The Arts Really Matter? (But Why?)

“Art opens us up to new ideas – so important always, but crucial now as the world seems to be losing its peripheral vision. We can all take refuge in our echo chambers, but the danger of cutting ourselves off from other ideas – or from ideas, period – is in vibrant display at the moment.”

Regional Theatre Pioneer Zelda Fichandler, 91

“Zelda Fichandler dedicated her early career to the establishment of America’s resident theater movement. When she co-founded Arena Stage, there were few non-commercial theaters in the United States and fewer theaters committed to providing a full range of world-class drama to its community with a resident company of professional actors.”