Reconceiving Classical Music For The (COVID-Safe) Great Outdoors

Playing chamber music in a midtown Manhattan park? Sure, you can (especially if you’re playing Florence Price), but folks are getting way more creative these days. David Patrick Stearns reports on the Ellen Reid/New York Philharmonic app configured for Central Park, The Crossing dispersing its singers and a specially designed speaker system across a wildflower preserve, and a multi-composer “immersion” in Brooklyn’s Green-Wood Cemetery. – WQXR (New York City)

Uncertainty Can Be A Good Thing

The examined human life reflects, we suggest, a new kind of relationship with our own expectations and uncertainty. Yet it is one that we have somehow constructed within the inviolable bounds of a biologically bedrock drive to minimise long-term prediction error. How is this neat trick possible? – Aeon

Fifty Years Too Early: This 1970 Flop Is Just The Satire For 2020

The Rise and Rise of Michael Rimmer, a British film that featured Peter Cook, Graham Chapman and John Cleese of Monty Python, and Harold Pinter (as a vicious talk-show host), ended up coming out about six months too late for the British election it was meant to skewer. “[But] for today, the film’s observations on the intersection of media and politics seem uncannily prescient, anticipating the triumph of two populists on opposite sides of the pond: Donald J. Trump and Boris Johnson.” – The New York Times

Things Seem Genuinely Hopeful At Baltimore Symphony For First Time In Years

Only a year ago, musicians and management were just ending a very bitter lockdown-turned-strike, and unflattering details of the orchestra’s severe money troubles had been splashed across the media. Now, despite the pandemic, there’s a new five-year contract in place and a spirit of cooperation. “It’s an astonishing reversal of fortune,” says the co-chairman of the players’ committee; “We’re working together in ways we haven’t in many, many years,” says the CEO. – Baltimore Magazine